Back To Africa (2008)
Overview
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 0.651 |
Directed By
Othmar Schmiderer
Crew
Othmar Schmiderer
Sarah Levine
Othmar Schmiderer
Hermann Dunzendorfer
Othmar Schmiderer
Moritz Gieselmann
Frank Heidbrink
Peter Przygodda
TOP CAST
Ebraima Tata Dindin
sich selbst
Georges Momboye
sich selbst
Makaya Dimbelolo
sich selbst
Mingue Diagne Sonko
sich selbst
Dickson Oppong
sich selbst
Similar Movies
Eden – In the heart of the red desert
Namib, an incredible spot is home to the highest sand dunes on Earth, along with 3500 species of plants of incredible diversity, all adapted to the arid climate. Elephants, antelopes, lions, giraffes and rhinoceros roam freely in the Namib with neither fence nor enclosure, as if at the dawn of time. Management of the protected areas has been entrusted to the local people and in particular to the Himba, the dominant tribe of the desert. Underground there are hidden treasures, diamonds, uranium and iron. From the beginning of the 20th century the Namib has attracted miners from all over the world, with an increasing appetite. Today, new mining projects threaten the ecosystem of the region. Olivia crosses the desert from the South to North, sharing the difficult everyday lives of the people of the desert. Exploring this rich but fragile garden of Eden, she attempts to understand why the survival of the desert is so important to the people and animals that live there.
The Frozen Chosen
Each winter a monstrous beast lures men and women to the ice of Lake Winnebago. It is the only place on the planet where this occurs. "The Frozen Chosen" introduces you to the obsessed men and women who are willing to wait days, years, even decades to propel their spears and bring you face-to-face with the prize below.
The Road of Health
The lecturer shows a microcinematographic sequence of spirochaetes and drawings of the gonoccus (the bacteria responsible for syphilis and gonorrhea). He then turns to an easel and begins to draw 'the road of health'; the cartoon takes this up in magic drawing, in a style that is highly reminiscent of the 'Giro the Germ' series made for the Health and Cleanliness Council a few years before.
Untitled Al Gore Documentary
An intimate look at Al Gore and his family during the former Vice President's 2000 campaign
Der Tänzer Heinz Bosl
A documentary about dancer Heinz Bosl who died in 1975 - aged 28.
Whose Utopia
A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.
fifteen zero three nineteenth of january two thousand sixteen
fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.
2 or 3 Things I Know About Him
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
The African Side
The film focuses on the positive side of Africa rarely seen. The film presents the cultural richness of Africa and explains ancient customs and traditions while celebrating the music, dance and welcoming nature of the majority of Africans.
Pages of Hope
Homeless man Robert (Bobby) Webb discovers the art of filmmaking, turning pages of his life into a heartfelt reel. Through his journey he finds hope and new meanings in unexpected aspects of his life as he relives them.
The Other Side of Sadness
In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.
David Hockney: Joiner Photographs
David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.
Looking for Modern Art: Rethinking Art History
Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?
Sunshine in Soho
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
Masks
It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.
Aitamaako'tamisskapi Natosi: Before the Sun
An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.
Iwájú: A Day Ahead
Filmed across three continents, this documentary shares the story of the founders of the Pan-African comic book company, Kugali, who made their dream a reality creating an original animation series with Walt Disney Animation Studios.
Picture Proof
Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.
The Story of the Weeping Camel
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Inventata da un dio distratto
This film is dedicated to Maria Lai, an artist born in 1919 in Ulassai, Sardinia. Surrounded and inspired by the ogliastra countryside, the cyclopic guardian of plots and landslides, Maria Lai uses inert materials like stone, concrete, asphalt, metal and wood to work old and new legends into librettos of individual works, installations and interventions, thus becoming part of the landscape that calls to her. In making this film the authors have confided in the artist’s role as a spokeperson, and it is as if one is listening to the voice of a wild olive tree - both millenary and contemporary - a voice that knows what to say (and can say whatever it wants) from beyond the boundaries of reality, history, nature and art. As that tree, the artist - confident of her roots - with a sound sense of rhythm and scansion, multiplies big and small stories, just as she did with the bread and fish in Santa Barbara di Ulassai along the way to the country church.